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SNOWBOUND

Project Highlights

The story

 When a contaminated U.S. shipment turns a trucker into a shape-shifting monster during a blizzard, stranded Canadians must survive the night in a remote diner. A contained creature  live action feature with... 


  • Practical effects-driven horror
  • Paranoia-fueled tension
  • Dark humor
  • Slight political undertones

Elevator Pitch

Snowbound is The thing meets 30 days of night, with a Canadian twist.

 

  • Genre: Contained creature horror (The Thing meets 30 Days of Night)
  • Setting: Snowbound Canadian diner under siege
  • Hook: Face-stealing mutant vs. trapped civilians in Canada
  • Ready for Canadian co-production incentives




Why this live action film?

PROVEN HORROR DEMAND

DE-RISKED DEVELOPMENT

DE-RISKED DEVELOPMENT

 

  • Audiences crave creature features: The Last of Us (2023) and A Quiet Place (2018) revived mainstream appetite for practical-FX monsters.
  • Snow horror is underserved: No major hits since 30 Days of Night (2007).

DE-RISKED DEVELOPMENT

DE-RISKED DEVELOPMENT

DE-RISKED DEVELOPMENT

 

  • Visually proven concept solves our #1 fear: "Will this work on screen?"
  • Pre-visualized scares, tone, and pacing reduce creative disagreements.



CANADIAN ANGLE

DE-RISKED DEVELOPMENT

LOW BUDGET, HIGH IMPACT

 

  • 35% tax credits (Quebec/Ontario) lower the real budget to 5.2–7.8M for a $8–12M film.
  • Co-production treaties open EU funding (e.g., France, Germany).
  • Potential to cast great actors who want to show love to Canada.

LOW BUDGET, HIGH IMPACT

LOW BUDGET, HIGH IMPACT

LOW BUDGET, HIGH IMPACT

 

  • Single location (diner + trucks)  minimal shoot days.
  • Practical FX focus (like The Thing) avoids costly CGI.

TIMELY THEMES

LOW BUDGET, HIGH IMPACT

STREAMER FRIENDLY

 

  • US/Canada tensions add accidental relevance (like Get Out’s social commentary).
  • Audiences seek cathartic horror during economic/political uncertainty.

STREAMER FRIENDLY

LOW BUDGET, HIGH IMPACT

STREAMER FRIENDLY

 

  • Contained horror thrives on VOD: The Ritual flopped in theaters but dominated Netflix.
  • Franchise potential: CIA conspiracy tease sets up sequels (Snowbound: Outbreak).

Comparables

Download PDF

Key Investor Takeaway: Why SNOWBOUND is a Uniquely Safe Bet

Horror's ROI is Unmatched

 

  • Films like The Descent (10x returns) and The Babadook (5x) prove low-budget creature features deliver outsized profits
  • Even "flops" (The Ritual) become streaming goldmines

We're Targeting a Proven Void

 

  • Zero snowbound horror hits since 30 Days of Night (2007)
  • No Canadian creature features in this budget range – we own this lane

Financial Safeguards Built In

 

  • Canadian tax credits slash 35% off budget 
  • Single location = no costly location shoots

Hypothesis

ROI Focus

 Horror creature features in the $5-15M range deliver 3-10x ROI when executed well (*The Descent: 10x, The Host: 7.4x*). With Canadian tax credits reducing Snowbound’s effective budget by 35%, we’re positioned to outperform even mid-range hits like The Mist (3.2x).

Market Gap Focus

No major snowbound creature feature has hit theaters since 30 Days of Night (2007) – a 17-year drought in a proven subgenre. Snowbound’s diner siege premise combines the isolation of The Thing with the social tension of The Mist, tapping into unmet audience demand. 

Streaming Potential Focus

 Even ‘box office underperformers’ like The Ritual ($3M theatrical → Netflix breakout) prove contained monster horror thrives on VOD. Snowbound’s single location and practical FX make it a low-risk/high-reward play for streamers. 

Conclusion

 

The data shows Snowbound sits in a sweet spot:

  • Budget low enough to profit from horror’s loyal fanbase (The Babadook: 2M→10M)
  • Scope ambitious enough to stand out (The Host’s $89M global take)
  • Canadian incentives make it one of the safest bets in genre filmmaking.

About Gabriel Caron

Gabriel Caron

 


Entrepreneur, Storyteller, Actor & Creative Innovator

A lifelong entrepreneur, I’ve built and sold a construction company, flipped houses, and trained in internal martial arts in a mythical mountain in China—teaching both in person and online. But through it all, I’ve always been writing scripts.

Frustrated with the state of storytelling, I wrote a full-length film and adapted it into a fiction podcast, testing the market with limited resources. That experience hooked me—I could see the actors bringing my words to life. After being called "an actor" during a voiceover session for Disney and Cirque du Soleil, I trained to become one, booking lead roles in indie films and pitches and slowly building TV appearances.

Now, I merge my entrepreneurial mindset with storytelling—treating creative projects like startups. I build assets, test hypotheses, and craft minimum viable products (like what you see here). With evolving technology, I’m passionate about leveraging new tools to democratize storytelling.

Leader. Question-asker. Creator.

Contact me to start the conversation.

Let's bring Snowbound to life or collaborate on your next project.

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 All materials © [2025]. This animated treatment is a proof-of-concept, not a final product. All rights reserved. 

Copyright © 2025 Gab's - All Rights Reserved.

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